#Cant cut video in pro tools 12.6 native mac os

We were shooting in continuity as Josh Hartnett playing the lead role of Eric LeMarque was losing weight on a restricted diet and eventually lost 25 pounds over the duration of the shoot. My biggest concern once I started getting dailies in Salt Lake City wasвЂ¦will Premiere Pro bog down and become unresponsive with hours upon hours of 6K RED RAW footage? I cut for 6 weeks straight and kept building my scenes onto one timeline. Russell and E2 at Warner Brothers delivered the sound mix.

16-time Academy Award nominated Sound Mixer Greg P. Once our edit was done we handed off to Mike Sowa at Technicolor for the color grade. Small footprint, high skill set and not much sleep! Welcome to the filmmaking process! We were on the grind for over 22 weeks to lock the picture between the 5 of us. We specвЂ™d out two 20-core DELL 7910 towers for our main edit bays and an HP tower for transfers, outputs and some VFX.

Plus the issue with overheating and burnt up video cards in the Trash Can MACs made it a non-starter. I had used MACs on Deadpool, Gone Girl and 8 other feature films over the years but the demands of a 6K native project required more power than Apple could provide.

#Cant cut video in pro tools 12.6 native mac os

The other big decision was to choose a Windows-based pipeline after so many years of using MAC OS X.

Premiere Pro offered several advantages вЂ“ which I will get into вЂ“ for taking this huge technological post-production risk. After a short test run in Media Composer, Final Cut Pro X and Premiere ProвЂ¦for my needs on this project, it was an easy choice to commit to Premiere Pro. I have an ever-evolving editing style that incorporates new techniques based on available options. Sailing these uncharted waters began with testing the NLEs available and creating a solid workflow to handle the 6K footage demands.